The Moho Ambassador Program is a community initiative that connects experienced Moho animators with those who want to learn, find talent, or get trained in any area of Moho Animation Software. Ambassadors are passionate, seasoned users who mentor beginners and intermediate animators, participate in community discussions, lead tutorials or workshops, and serve as trusted resources for anyone looking to grow their Moho skills.
There is nothing quite like the unhinged amount of fun I have when I throw together a silly idea in Moho, fast! It speaks directly to my CG experience, offering me the power of bones and graph editors, but in an undeniably 2D style. I love that you can't tell it's Moho, it never has a 'look.'
I love how quickly you can just drop some bones and start moving things around. It's real time, it's intuitive, and it doesn't take long before a character starts feeling alive. Smart bones are a superpower! Once you set it up, you have this little controller that can drive complex movements with almost no effort. There's also just so many ways to make a character move, between bones, mesh warps, and point animation. It meets you wherever you are on a given shot.
Moho is fantastic for Rigging, we all know that, but not enough people talk about how excellent it is for Vector Points animation and for a hybrid Puppet-Point approach that, while slightly more structured, gives you a remarkable degree of freedom. What I really love is when Moho lets me tweak a drawing effectively without having to redraw it from scratch. And on top of that, Moho is outstanding when it comes to automatic inbetweening.
Moho is very accessible and intuitive. The rigging tools are very easy to get into and very fun to explore and experiment with! Giving you unique ways to approach the whole animation process. The newest updates on the brushes and styles also made it a very alluring clean-up tool!
12 years ago I opened Moho for the first time and was so stoked to see my character come to life as soon as I added bones. Today, I still get that feeling of excitement. I can take an idea, rig it, and have it animated in less than an hour. After trying other animation tools, I can confidently say no other animation software compares in speed.
What I love most about Moho is how flexible and easy to use it is! It lets me focus on performance, not just process.
It gives me the control to build rigs that are clean, flexible, and actually support my animation choices. Once the setup is right, I can stop thinking about the tool and start thinking like an animator—timing, weight, intention, and emotion.
At the end of the day, Moho helps me do what I care about most:
making characters feel alive, not just look animated.
My favourite thing about Moho is the flexibility and power of its rigging system.
Moho allows me to build production-ready rigs that are both technically advanced and animator-friendly, which is something I really value in professional workflows.
My favourite thing about Moho is how versatile a tool it is. It's built in a way that provides an answer to most problems with rigging and animation, all within a relatively simple and intuitive user interface. The animation channels being so distinct and independent is awesome, and the smartbone system is one of the best ideas I've seen. It's a jack of all trades, and master of most!
My favorite thing about Moho is that I can get close to a frame by frame look while maintaining the flexibility of rigs! The possibilities of styles to explore are endless which makes opening the software exciting every time.
