I taught myself Moho over 12 years ago, partly because I'm not the dumbest person around and partly because Moho is really intuitive. Since that, I’ve been fortunate enough to turn it into a career by working on animated feature films at studios like Cartoon Saloon and Atom Art. I also teach the software to schools and professionals who want to make their work even easier with Moho. And I can do all of this in English as well as in French!
Pierre Gombaud
Animation
Rigging
Consulting
Training
Technical
Portfolio
Dani Abram
There is nothing quite like the unhinged amount of fun I have when I throw together a silly idea in Moho, fast! It speaks directly to my CG experience, offering me the power of bones and graph editors, but in an undeniably 2D style. I love that you can't tell it's Moho, it never has a 'look.'
Mansour Moawad
What I love most about Moho is how flexible and easy to use it is! It lets me focus on performance, not just process.
It gives me the control to build rigs that are clean, flexible, and actually support my animation choices. Once the setup is right, I can stop thinking about the tool and start thinking like an animator—timing, weight, intention, and emotion.
At the end of the day, Moho helps me do what I care about most:
making characters feel alive, not just look animated.
Sama Sharaf
My favourite thing about Moho is the flexibility and power of its rigging system.
Moho allows me to build production-ready rigs that are both technically advanced and animator-friendly, which is something I really value in professional workflows.
